Carole Renaude’s Réservoir Decelles speaks to a deeply personal relationship with place. Carole defines her Canada, not by monuments or borders, but by lived encounters with the natural world — the familiar sight of wind-shaped trees, exposed rock, and open water stretching toward the horizon. In a time when conversations about identity can be loud and divisive, Carole's landscape offers a quieter reflection: belonging can be found in the simple act of recognizing a place that feels like home.
