Gallery

On Guard for Thee…

Celebrating what holds us together

Discover a curated collection of works by artists from across Eastern Ontario and Western Quebec. Ranging from the deeply personal to the explicitly political, they wrestle with questions of freedom, responsibility and civic values — and the everyday acts of kindness, courage and citizenship that help sustain them.

A closer look

Every artwork has a story. Begin with a closer look at a selection of works and the stories they tell — or go directly to the complete collection.

Trilyth — On Guard for Thee by Jennifer Robitaille: pale blue spectres of soldiers lost in war cross a barren landscape, mirrored by ghostly reflections in the lake below.

Jennifer Robitaille

Trilyth — On Guard for Thee

They stood on guard for us. Trilyth looks beyond the collective language of duty, courage and sacrifice, asking us not to glorify war, but to remember lives interrupted, futures surrendered and losses carried long after service ends — the human cost borne by those who stood on guard for us.

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In Distress by Susan Jephcott: fragmented Canadian and American flags, with stars falling from a broken maple leaf.

Susan Jephcott

In Distress

A clarion call to recognize shared perils: when division overwhelms our responsibility for one another, no nation, community or family remains whole. When our neighbours struggle, will we recognize their peril as ours — and stand on guard for one another?

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Broken Warrior by Brenda Sutton Mader: a dark, weathered ceramic helmet modelled on ornate historical armour.

Brenda Sutton Mader

Broken Warrior

Formidable yet breakable, Broken Warrior reminds us that those who stand between others and harm are themselves vulnerable — that courage does not leave them unscathed.

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What do we choose to stand on guard for?

Fallen Sparrows by Susan Jephcott: fallen uniformed figures with white wings scattered across a vivid landscape.

Susan Jephcott

Fallen Sparrows

War destroys more than lives. It dismantles the moral order through which each life is recognized as precious, reducing the individual to one body among many. Fallen Sparrows asks us to look again: at young men treated as quarry — and recognize, in every fallen figure, a life that mattered.

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Vortex of Change by Sawsan Shorbajee: turbulent rings of blue, white, yellow, orange and red spiral into a dark centre.

Sawsan Shorbajee

Vortex of Change

In times of upheaval, as destruction and renewal collide, we may feel ourselves swept into a vortex of change beyond our control. Vortex of Change reminds us that kindness, courage and compassion can be counterforces — quieter, perhaps, but no less consequential — and asks whether hope itself may be worth guarding.

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The Sound of Silence by Alan Forster: a blindfolded profile beneath green cloth, with a distant boat on dark blue water.

Alan Forster

The Sound of Silence

Histories suppressed, experiences disregarded and injustices unanswered. The Sound of Silence asks whether standing on guard requires more than witnessing — whether it demands that we listen, speak and act.

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Cycles of Hunting and Hunted, Turtle Island by Eliska Smiley: a swan, angular structures and handwritten phrases fill a turbulent landscape.

Eliska Smiley

Cycles of Hunting and Hunted, Turtle Island

We may no longer see ourselves as hunters, yet our appetites — as individuals, societies and nations — can overwhelm other lives, communities and ecosystems. Eliska refuses to resolve this tension, asking whether standing on guard begins by recognizing our power and accepting the responsibilities it carries.

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What we choose to protect reveals what we hope to become.

Never 51 by Heather Wright: a hooked rug depicting a red sweater marked “Never 51,” a Canadian flag patch and moose motifs.

Heather Wright

Never 51

Defiance through humour — and the patient handwork of domestic life — gives Never 51 its striking immediacy. Familiar national symbols become a declaration of belonging: Canada is not territory to be acquired or renumbered by someone else, but a home whose identity is lived, valued and protected.

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Sacred Messenger by Suzette Power Kelly: white snow geese surround overlapping sun and moon forms against richly patterned foliage.

Suzette Power Kelly

Sacred Messenger

Snow Geese remind us that hardship yields, in time, to abundance. In Sacred Messenger, Suzette elevates these hardy northern birds through luxuriant colour and pattern, giving them an almost mythic presence. Moving collectively along ancient migratory routes, they connect landscapes, peoples and generations — reminding us that our natural inheritance also carries a responsibility to stand on guard.

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Cross Roads by Eliska Smiley: symbolic arrows, a heart, circular forms and animals converge amid flowing bands of colour.

Eliska Smiley

Cross Roads

Cross Roads presents identity as an ongoing process of choice: how we care for the land, relate to one another, reconcile our histories and imagine our future. Like each of us, Canada continually arrives at new crossroads where we can choose possibility over conflict.

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Beyond the exhibition

Discover artworks beyond the current On Guard for Thee… exhibition, including work from previous exhibits.

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